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Nate Chapman is next on Under No Illusion with ‘Hello Lonely’

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Nate Chapman lands on Under No Illusion with his ‘Hello Lonely’ EP out on 23rd February.

Nate Chapman, a talented producer hailing from the Stateside scene, has made his mark on the label with a debut that promises to shake up dance floors worldwide. Featuring three distinct club cuts, each track on the EP showcases Chapman’s knack for crafting infectious grooves and pushing sonic boundaries.

“Hello Lonely”: The EP kicks off with “Hello Lonely,” a track that immediately captivates with its burning groove vibe. Hypnotic overtones set the stage as a head-infecting vocal line rises throughout the track, elevating the energy with each passing beat. Chapman masterfully guides listeners through levels of sound, creating a sonic journey that’s impossible to resist.

“Didn’t Lie”: With “Didn’t Lie,” Chapman takes a detour into a more stripped-back soundscape. Percussion leads the way, driving the track forward with tribal rhythms that dance around staggered vocal drops and expertly chopped-up effects. This is heads-down, no-nonsense house music at its finest—a testament to Chapman’s versatility as a producer.

“Nah Easy”: Closing out the EP is “Nah Easy,” a track that surprises and delights with its eclectic blend of futuristic acid jazz elements and uplifting spiritual edges. Chapman effortlessly weaves these elements together, creating a sonic tapestry that’s as captivating as it is unique. Fly kicks and bassline movements add depth and texture, rounding out a track that’s sure to leave a lasting impression.

Nate Chapman’s debut EP offers a diverse sonic journey that’s sure to leave a lasting impression on listeners. Keep an eye on this rising talent in the electronic music scene.

We premiere ‘Hello Lonely’ on Data Transmission, check it out here and grab it on Beatport.

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Grahame Farmer

Grahame Farmer’s love affair with electronic music goes back to the mid-90s when he first began to venture into the UK’s beloved rave culture, finding himself interlaced with some of the country’s most seminal club spaces. A trip to dance music’s anointed holy ground of Ibiza in 1997 then cemented his sense of purpose and laid the foundations for what was to come over the next few decades of his marriage to the music industry.

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